LIVE FROM THE PIT:
BRUTAL ASSAULT 2013
Review
and photos by Ilaria Posca
Closest
to "ideal festival".
Brutal
Assault has become an annual appointment that i rarely miss. When i
decide which festival attend i have many requirements to fulfill and up
till now Brutal Assault has been the only one to be the closest to my
"ideal festival".
First
of all, it isnīt a festival built on the " quantity"
of big names or bands, i love how any band plays more or less the
same amount of time on the stage. Another good point it is how there are
just two stages, one beside the other one ( there is a smaller one in a
shedder smaller acts) that means youīre not gonna loose a good band
because another good band is gonna play on the other side of the
festival. Obviously there is also the price factor, it costs 80/85 euros
for 4 days, beer in the festival area its around 1 euro (
for a 85 cl) and camping is free, if you donīt want to have the
"Vip Camp".
I
donīt need to specify that the organization its far from perfect, in
fact, it struggles every year more with its lack of a good plan. Since
2008, their audience has duplicated but the service still the same as
before,employees barely speaks english and if they do it is rather poor,
last year we got a 5 hrs queue for getting our ( already paid) ticket,
luckily this fault has been finally corrected, every year Vip camp is
expanding by leaving no place to those who wants to "free
camp", probably in a couple of years theyīll overcharged you camp
prices.
After
this intro about the festival itself letīs arrive to the crucial point:
music. Music itīs extremely good, and often sounds are amazing, but letīs
start from the opening on Wedensday :
This
year the opening day handīt something really interesting and probably
helped by the temperatures reaching almost 40˙ degrees most of us
who came in good time spent the afternoon/evening in the beer tent
trying to chill out, some joined the show to support band s from their
own nation, other just willing to see the only two "famous
act" of the day: Testament and Malignant Tumor.
Main
festival begun on thursday with, but many started to gather under the
stage already for Magrudergrind and the swedes Dr. Living Dead.
There
were probably many good shows, but by collecting opinion around best act
of the day were: Belphergor, Devildriver and
Gojira, who had even one of the best shows in the whole
festival!
Day
two: Friday, wasnīt as "blessed" with good weather as the
previous two days but many
band put out their best effort into keeping people standing under the
two stages and judging by the crowd during the most "unlucky"
gig of all played by Orphaned
Land ( due to pour rain) they actually managed, people danced,
singed like at a folk-festival. Extremly good shows were played also by Malevolent
Creation , Alcest also if in my opinion they arenīt
a band suitable festivals, Fields of the Nephelim, also if
the most amount of people got reached during In flames(who
left many deluded by the quantity of new material played) and Carcass,
that i havenīt seen since i got the luck to see them four times giving
me the chace to prioritize the exclusive acoustic concert played by November
Doom in the small stage by the metalshop and at the end, what
was for me another of the best gig played: Cult of Luna
To
name also smaller bands that i discovered at the festival: Glorior
Belli and the czech Five seconds to leave
Saturday
started really early and for me was a "Norwegian day" since
most of the band i was waiting for were norwegians,
Vreid , Ihsahn
( acclaimed by everyone)that did an outstanding gig with
his fellow country man Leprous, the norwegian progress
were absolutely amazing intgo turning their music in an heavier key. Solefald
, were finally both Jakhelln
and Nedland could play togheter
with the collaboration of In
vain and dulcis infundo: Borknagar .
Besides the Norwegians Saturday was a day of many other good
bands such as Behemot, who finally got back on stage
and a band extremely dear to me, Saturnus.
They had the honor to close the festival.
Review and photos by Ilaria Posca
Đ
Ilaria Posca and GryphonMetal.ch
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