Chester Bennington – vocals, guitar, percussion Mike Shinoda – vocals, rhythm guitar, keyboard, piano Dave "Phoenix" Farrell – bass guitar Brad Delson – lead guitar, keyboard Joe Hahn – turntables, keyboard, sampling Rob Bourdon – drums, percussion
Produced by Linkin Park's
co-lead vocalist and rapper Mike
Shinoda and Rick
Rubin.
All songs written and composed by Linking Park
Release date: 22.06.2012
01.
Lost in the Echo
02. In My Remains
03. Burn it Down
04. Lies Greed Misery
05. I'll Be Gone
06. Castle of Glass
07. Victimized
08. Roads Untraveled
09. Skin to Bone
10. Until it Breaks
11. Tinfoil
12. Powerless
I
must admit that Linkin
Park try to refresh and reinvent the vibes of the
previous albums and, in my opinion they try to propose a kind of fusion
among Hybrid Theory, Meteora and A thousand Suns with the
injection of mainstream melodical structures already present in
Minutes to Midnight. In an interview in the -March 21, 2012 issue- of Kerrang!
magazine, lead singer Chester Bennington told that the band has "
incorporated a lot of guitar work with big choruses and the heavier
electronic stuff to give it that really big wall of sound feeling
without getting too metal". Fortunately and infortunately it is
true. Fortunately because the album all in all corresponds to this
description (apart the fact that i don't hear that "lot of guitar
work" maybe because it is overwhelmed by the electronics); unfortunately because still it doesnt sound too metal, only
at times a bit Nu-metal. Nu metal actually wasnt that bad phenomenon, on
the contrary. I hoped there was more of it in this new album. I hoped
there was more of Hybrid Theory in it, unfortunately it is still not the
case.
Well,
however the first part of this new and
fifth album is quite strong. Songs like the single Burn It Down and like Lies Greed Misery are
awesome: the first one has a cosmic touch and with simple ,
uncomplicated yet unmistakable and memorable
notes is able to create such deep emotions, and in spite of the
proficuous electronic wall,it sounds incredibly hard and rhythmed. The vocal interplay
between Chester Bennington and Mike Shinoda is then perfect. The Medal
of Honor-trailer song Lies Greed Misery is a bomb in its short
rough simplicity and anger: a continuous fist in your teeth with
impending rage supported by intense electronic-like drumbeats. Nevermind
if it's repetitive: the notes are the right ones. Both
songs include elements of Nu metal too in different quantity and way,
both are great, both have an appealing industrial suburban halo. And the
rest? Just scratch the electronic surface of the opener Lost In The Echo
and you will find something of the old Linkin Park, the composition is
really good and so are the chorus and the screaming and the impelling
rhythmus. In My Remains is a very melodic march, which you will
include in your soundlist for gyms, for driving
and for parties and for reading and meditating. I'll Be Gone is another
melodic track (more or less in the same direction as In My Remains), a
track which is even able to arise a feeling of suspence.
Unfortunately
the "second" part of the album is in my opinion an
opinable patchwork of many inspirations that both
belonged and didnt belong to the band. Castle Of Glass,
another track tied with EA`s Medal Of Honour: Warfighter and
featured in the game, is a
nice but weak piece mainstream-oriented and just a
little bit folkish. The short
Victimized is very aggressive and totally punky, it
might be "influenced by punk rock bands such as Dirty
Rotten Imbeciles", but it is, anyway, a ugly song. No matter
how much you want to exaltate it: it is and remains
crap. It is presented as the heaviest song ever written
by the band but it is really ugly punk shit. The Dylan-inspired Roads Untraveled gets an interesting
choice of instruments and sounds which all together let you
dream of far exotic adventure, and yet it is boring in the
long run . Skin
To Bone and Until It Breaks are very rap/hip-hop-focussed and
generally unbearable. The penultimate song is a beautiful
short instrumental that eventually flows into the last
song Powerless as its intro. Powerless begins with a
great impending atmosphere, one expects it becomes a force of
nature, on the contrary the refrain results so outrageously weak and
softy. Pity because the electronic strings are very
interesting. I presume it is meant as emotional song, anyway
it offers no other than empty minutes. However it is the
song performed in a trailer for the upcoming
"Abraham Lincoln: Vampire Hunter" movie.
What
i like in "Living Things" is to perceive a fusion of
some good elements of Linking Park: the old determination and
originality of Hybrid Theory (with its peaks in composition
and typical scratch/bug sound) and the cosmic breath of A Thousand Suns.
Pity that i can perceive this fusion in a very few
songs only, as already mentioned. It is not enough. Living
Things is a step in the right direction but it is still not
enough. Really pity. Hybrid Theory was so fantastic
that shot the band into a massive mainstream
success. But the mainstream success happened (as for Metallica
or Rammstein) because the band was so different, and so far to
mainstream. Although Linkin Park were and are so
brilliant indeed to create tracks that go under the skin acting
even a global impact on a large audience, I have the impression that, after Meteora,
the band's "genius" is no longer free, Linkin Park are no
longer the anthem of a generation, therefore they try a new way in order
to reach a diversified audience. It's
happening again now, but to please everyone is impossible
thing. I suggest to choose your personal Linkin Park , buying single
tracks (at iTunes for example) instead of purchasing the whole album.
Suggestions:
Lost In The Echo - In My Remains -
Burnt it down - Lies Greed Misery - When I'll be gone -
Tinfoil.