Each
extreme fan is allowed
to
devour avidly
If blood is that symbol of life, man was not allowed to eat, Doomsday X is that symbol of Death
Metal that each extreme fan is allowed to devour avidly. Actually the first impact with Doomsday X has
has been greeted by the fans with much satisfaction but also with some controversial opinion, important is
there is no indifference and that this album already makes hitory
of the band, and not only because it's the tenth full length from the
Florida-based veterans. For me personally , Doomsday X will represent one of the best
Death/Thrash Metal release of this year. The most important point is that
the music is energetic and fresh, really far from any trace of tiredness, at the point that the
band surfaces as compact yet young, even impertinent in ferment and smart in identity. This old/new line up, already successful
during the recent concerts, has composed the bridge that connects the very own
roots to the newest "facettes" that the experience conveys .
Doomsday X is firing action, is destruction, disintegration, but well structured
composition and great loops too. Therefore we have the fury of the extreme, the
ambrosia of the grooves given by good musical passages and that row state
coming from the natural condition of extreme metal. The blast beats of Dave
Culross' excellent drumming rule like a monarch while guitars increase the terror of this dominion with mature technique. Do you want
dissonance? you get it; do you want catchy riffs and hooklines? you get
them; do you want axe solos and awesome instrumental moments? you get them,
everything in full Malevolent style, even richer and varied. If you appreciate something more than just empty brutality and noise, nonetheless you don't
want to quit tasting vehemence and wrath, this is the album for you, as
already The Will to Kill and Warkult were. Brett Hoffmann is back,
the whole line up connects Doomsday X to the Stillborn era , Brett's
clawing dirty voice adds an unmistakable vicious quality although, when
listening to the songs, you get the impression that the
transition from Kyle Symons to Hoffman, at least musically, is natural and accomplished without any pain.
Moreover, Bio-Terror, which is, under the vocal
point of view, one of the most striking songs of this album, acts as
materialization of this changeover.
Deliver my Enemy, well known already from My Space, is
an involving song, anyway, for me personally, is not so bright concerning the
refrain: there are songs here that are even better, so you can imagine
how mighty is the rest. And which are these songs? The hammering Cauterized,
optimal opener, that will subjugate you with different and enjoyable
tempos and immediate impact. The anguishing obsession of Archaic, another of my fav
tracks, cannot remain undetected; the twin channels of Buried in a nameless
Grave emboss all things that a metal heart can wish. Assault and
cascades of shredding riffs in Strength in Numbers shroud
the listener with a lot of insidious catchy thorns. How can you escape the tempest of
Hollowed and the addiction to Unleash Hell? The instrumentation of
Prelude of Doomsday is simply driving, unstoppable. Culture of
Doubt is a bit the "summa" of the album: pulsing and explosive, with majestic pace switch, from fast machine gun
shots to imposing slow down, in few words a pure gateway to hell which will appeal
Thrash and Black metal fans too.
This stuff is armageddon artillery in veins and heavy rotation in extreme
playlists.
Rating: 9,8/10
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