Z7 METAL DAYZ 2006 - second day 05.08.06 at Z 7 in Pratteln (CH)
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photos © by Stefan and Siegfried Vogelaar reviews by dalia di giacomo and Boris Witta, Desi Güthlin The public use of these photos is strictly prohibited without written permission
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(ARKHAN) (FELSKINN) (JON OLIVA'S PAIN)
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ATRITAS www.atritas.ch | |||||
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by Boris Witta
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Second
Day! The Saturday will be most interesting for extreme Metal-fans, 100% of
the Black Metal-bands of this year are playing today, the Swiss Black
Metal-formation Atritas and mighty Dark Funeral from Sweden. Already at the
entrance, lots of obverse shirts can be seen, beside some stupid kiddies.
But the mood is good, the first beer opened, time to greet some friends, and
then turn to the stage, where Atritas will appear in a few minutes…
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DISPARAGED | |||||
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NANOWAR www.nanowar.it | |||||
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by dalia di giacomo
"Pardon me oh mum and dad
Pure entertainment and comedy. Desecrating,
irreverent hilarious parody. Let's say immediately that, concerning the instrumental ability, Nanowar play
live really well in an essential but effective way, where guitar, bass and drums sustain the incredible almost
cabaret show where not only the stage acting but even more lyrics are the
keys to the satire. Nanowar propose, in a highly self confident form,
a parody about Power and Classic Heavy metal genres, re-shaping and taking
inspirations tracks from Manowar, from Iron Maiden and other legends
of metal. But this would be only a superficial vision of the band, actually if you pay attention of
this satire you understand that Italian Nanowar (now NanowaR Of Steel),
considered a "Power" band, spoof many aspects of our society. After all, the joke
around Power/Heavy/True/Pagan metal is only an occasion in order to express
razor-sharp critics about institutions or just about inflated manners and
personalities, through the help of the music they can play and sing. In my opinion they don't spoof
Classic Metal in itself (or at least not only) but habits, thanks
to a very hilarious, caustic and totally funny attitude. Moreover, they
trespass the boundaries of Old school True/Heavy/Power metal in the moment
when even Metallica or Rhapsody become instruments of the sardonic parody.
Anyway, it's indeed correct to say that also some bombastic and/or cheesy features of the
Classic /True Metal are really brought down to ridiculous but, as pointed
before, this is only side effect. No intelligent fan of the genre(s) should feel pissed off,
on the contrary should be only entertained and feel almost proud. I think that Nanowar's philosophy is to
mock all what seems strong and imposing, but that proves to be weak and
mediocre and problematic. Symbols like sword, king, crown, steel, power and
fight mean nothing when become just empty exaggerated words or marks for
posers. The crowd is totally amused: applauses and laughs alternate with the
enthusiastic identification of the original master tracks. People
understand the jokes, appreciate the sound and the gags, realize that Nanowar's intent is to
beat the shit out of some habits. Good that Nanowar can deliver the show in
good English so jokes are universally intelligible. Hey hey attention: nonetheless if you are Italian
(or know very well Italian) you will be able to detect a lot of further
details that make the enjoyment even more complete and humorous. Many parodies are
typical Italian or exploit Italian backgrounds and social tissues.
Nonetheless Nanowar become always quickly understandable cause people are
the same the whole world over. The song Master of Pizza provides even some
words in Neapolitan dialect (an album called "Made in Naples" is currently under preparation) that
(figure out!) hardly can be phonetically distinguished from English when both languages are sung
quickly together. Curious thing actually. Ok, Master of Puppets has become Master of
Pizza ("i live in a volcano, i am napoletano...Iamme, Iamme ! Iamme! Marescia'
") but the venue gets amused also by other explosive songs like Metal--la-la-la
, one of the most amazing parodies: proud and happy under the shower in an ambush of
sodomy; or Odino and Walhalla, King (of the happy meal) targeting Pagan/Epic metal. Does our hands speak? When we are Italians, it's for sure. Gestures who symbolize and simplify the heavy metal codes turn out to be 100% fun: they must be well learned in order "that "persons like Uinona Raider too can understand". relaying on his cool voice, naughty and unstoppable singer/entertainer Potowotominimak sets fire to all gags, supported by Mr. Baffo. Mohammed Abdul is concentrated on his guitar while Uinona Raider on "mute" backing vocals. "Scream for us"! "A real story!" "I really need a good shower!" , "Scream for Odino!", "Odino Walhalla!", "Power of the power of the power of the power of the power of the power (of the great Sword)" are just only a short list of their slogans placed in their numerous extra song-gags. Of course much of the show is colored from spicy sexual and /or temperament implications. Success for them and amusement for us. Remember!: "Other bands play, Nanowar gay!"
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PURE INC. www.pureinc.net | |||||
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by dalia di giacomo
The 4-piece emerging Swiss band, Basel - based and signed in AFM roster, is actually not so original at all, nonetheless they deliver a good nice show characterized by a Hard Rock musically quite oriented in direction Van Halen, full with cadenced music, enhanced by that good quantity of self-confidence and good taste and clear solid vocals, yet also softer moments of melodic ballade nearer to Grunge inspiration are served. Indeed, Pure Inc. know how to mix melody and angrier force through a solid feeling of Rock with just a touch of Blues. Noticeable guitar riffs interlace with a compact dry drumming and a compact bass playing. I am a Rolling Stone rocks and is one of the tracks presented and taken from their latest second album "A new Day's Dawn", released this year. Another track from this album, which impacts very well, is Where's your God that begins with a guitar arpeggio and a light touch of cymbals developing soon a rock ballade of satisfactory power. Singer Gianni Pontillo (also vocalist in The Order) is a polite guy able to be quite interactive with the crowd yet maintaining a certain leading charisma between shouting and singing, while guitarist Sandro Pellegrini is the more energetic expression of the band together with the young and talented drummer. In this soundscape, bassist "Genti" is very supportive, providing that calm exactness very useful to the cadenced proceeding. In few words, Pure Inc. are agreeable and play a listenable, many times involving Rock straight in your face but with the proper groovy warmth. Pure Inc. have a lot of experience live, that's why they shine here now with a good amount of maturity. Fear my Eyes crowns one of the moments of the final propulsion. |
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VANDEN PLAS www.vandenplas.de | |||||
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by dalia di giacomo
Unfortunately German progressive/metal Vanden Plas has to cancel the show, due to an allergic reaction which hit the hand of a member of the band, the guitarist... if i understand well? An insect sting or something so. Despite all the proper and immediate cure it is not possible to perform. Lead singer Andy Kuntz speaks for the band and greets from the stage all the fans, telling that the band is very sorry for this inconvenience, moreover there was the intention to present the new album "Christ 0". This is no lucky day for Vanden Plas who wishes us a great time with Crucified Barbara that will take the stage again, substituting the German metallers. Organizer Dane takes care about the translation into French for the always present audience coming from France. All in all the crowd appreciates Andy Kuntz's words and, anyway, enjoys the idea to attend again a show from the Swedish girls. From Crucified Barbara's side it's nice to be at disposal and , at the same time, this is a further occasion to promote more vividly their music. Nonetheless I saw them yesterday and today i am no longer interested; i wait for After All. official statement
from Vanden Plas - "one day before
the show i got bitten by a mosquito in my left hand. |
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MYSTIC PROPHECY | |||||
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by Boris Witta
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Right when Mystic Prophecy start their gig, the weather turns into well and it even gets warm and the sun is shining. Perfect for an old-school Power/Thrash Metal-concert. In contrary to a lot of Power Metal-bands, Mystic Prophecy concentrate on the roots of this genre, rough, hard, powerful, with no flourish at all. The guitars are the master in the ring, riffing, soli, everything’s perfect. One bonus of Mystic Prophecy is for sure vocalist Lia, who has a) an indeed great, strong voice with personality and b) has charme, charisma and is very congenially, when he raises the horns, you just have to do it, too. “Evil Empires” is one of the greatest tracks, a pounding chorus, made to break necks, tight and riffing and a bunch of catchy hooklines. “Eternal Flame” is more melodic, and of course the hommage to theirselves, “Mystic Prophecy”, isn’t missing neither. And it’s also a fine thing to see Black Metallers, Thrashers, Power Metal heads and Hardrockers bang next to each other and just have a great time togheter. This is the Metal-spirit how it should be! Also the band has a good time on stage, you just have to take a look on their smiling faces. Entertainer number two is Bassist Martin, who walks, runs and jumps kilometres, banging his voluminous curls. The hour runs away, and I have to state that Mystic Prophecy have been one of the highlights of this year’s Metal Dayz. Well done, guys! | |||||
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GOD DETHRONED www.goddethroned.com | |||||
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by Boris Witta
The motto of the Death Metal-bastion from the Netherlands seems to be: Veni, vidi, vici. This is how a total triumph has to look like. An aggressive, well-motivated crowd which pushes the band enormous, and God Dethroned give full insert. Henri Sattler on guitars on vocals (logically not too active with his double taxation), the eyes wide open, master of the growls, and next to him Isaac on the second six string, with a grim vista, throwing riff after riff into the audience. The strength of God Dethroned is for sure their variability: There’s brutal Death Metal, then calm, melodic parts, almost harmonic, which show the ability of the musicians, then freezing Black Metal-influences, and always a maximum of blasphemy. “The Warcult”, one of the highlights, destroying, neck breaking, the masses mosh like hell, and it gets pretty warm. It’s like every Death Metal-maniac concentrates his whole power, his whole energy and his whole enthusiasm into this gig of God Dethroned. However, this is a real Death Metal-manifest, and the band obviously appreciates it. Bad, that there’s not enough time for some more songs, I guess everyone in the hall was hungry for more... absolutely no doubt, the loudest applause for a Death Metal-band this weekend. By the way, after the gig of Dark Funeral, I had a very funny speech with God Dethroned bassman Henk Zinger and a fan from Germany. Now we now what essential things like “Nögen in de gögen” (or something like that) mean in German… |
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AFTER ALL www.afterall.be | |||||
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by dalia di giacomo
Outdoor stage. Belgian Metalcore/Thrashers After All are massive and motivated. Another Dockyard1 band (see GurD) that has recently released an album, This violent Decline, which seems to be incentive enough in order to lay down a good gig. Aggressive thrashy riffs sound really interesting and mastered by a great guitar twin work, at times even in synchronicity, in order to magnify the energy. The pizzicato bass gives constant support. The whole rhythmic section is enough hammering and downtuned while the guitars are set on a higher timbre that shifts the sound to another level. maybe it's only me, but i clearly feel the guitars burning in my head, while the rhythmic section hits the chest. Singer Piet Focroul performs in a very angry and gloomy and passionate way. Fortunately the rain becomes less intensive and the crowd can gather numerous, approving and supporting. Actually After all provide for a good stage acting and for a compact set where melodies show up in the middle of muscular tensions of the riffing; methinks old school is well combined with more modern ingredients. The setlist is varied and balanced among the productions and ends with Blind Euphoria, proceeded by Forgotten. Forgotten is introduced through a kind of proclamation shouted by Piet: "from Black Metallers to Thrashers, you are here tonight and you all are not forgotten!" Chills and enthusiasm. The previously played Blackest Moon, within the new songs, seems to me very dynamic and very emotional too. Interesting thing, so i could say that Blackest Moon is surely a track that gets my deep attention. In the same way Pure Inc. did, After all too , during the show, invite the crowd to applaud the whole Z7 crew.
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WINTERSUN | |||||
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BRAINSTORM | |||||
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EPICA www.epica.nl | |||||
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by dalia di giacomo
Indoor stage: the Dutch female fronted symphonic/epic band Epica is actually much awaited, awaited in a way like they were a kind of small revelation of the latest years. Epica don't disappoint their fans and lay down a show which shows much care in any detail. Indeed, maybe too much care. In my opinion, this is actually the problem. The band is very agreeable and soaked with a symphonic music providing both tender and powerful features. Honestly, i think that there cannot be any alternative in order to propose this music: the look must be glossy, romantic, just only slightly sinister and always massively atmospheric. But now it comes the problem: the result, although agreeable and involving, sounds somehow manufactured, not natural, artificial. Singer Simone Simons looks like Walt Disney's The little Mermaid, and her red hair is constantly aired by an electric fan. The band seems to ride gently the clouds of Valhalla, putting one of the strong point in the duet moment between Simons and guitarist Mark Jansen's brilliant grunts. Yet everything is too much "prepared", at times even right bombastic and prefabricated, totally made up in the best look possible. A very important detail of the show is the Light. Well, it is actually one of the best light show i have ever seen, the rays of light are so perfectly calibrated concerning colors and and 3d reflections that the band is given an all round three-dimensional pathos. Yet this super light performance ends up to magnify that sense of artificiality. It is quite a dilemma: to deliver a perfect show with this genre of music and to appear prefabricated or to be more natural appearing careless and empty. I think that symphonic music is not very easy to be brought on stage, so let's be happy with this cinema-like screening and let's enjoy the fantastic terrible grunts which counterpoint and integrate the mezzosoprano sweet vocals from Simone. Let's enjoy the harmonic background carpets and let's dive into a world of fairy tales and fantasy. It's strange, very strange, but , during the concert, even not one single comparison with Nightwish or Within Temptation or the music of Kamelot or whatever in this direction is assaulting my mind. i remain there, a bit mesmerized thinking constantly of the the little mermaid. Don't know whether this a compliment or not. Meseems that also a lot of expectations is put on the head of this band, a combo which is anyway passionate. The setlist is fluent and songs are chosen so that the various musical sides are all underlined. At times the band sounds more Gothic, at times more in direction Power/epic, at times the band even gives green light to Pagan elements. I don't know Epica's discography, not my style at all, but there is one song that awakens me up and forces me to sharpen my interest. This song is so beautiful that towers over the whole bitter sweet soundscape. It must be "Cry for the Moon" . I understand the words "behind a fairytale forever and ever"...? ...it must be Cry for the Moon... . |
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DARK FUNERAL | |||||
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by Boris Witta
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Finally,
it’s time, it’s time for Dark Funeral, the gig I expected the most this
day. Already an hour before the gig, we take the first row, and then, after
sixty long minutes, the intro comes out of the boxes, and the five Swedish
maniacs enter the stage, vocalist Emperor Magus Caligula and the guitarists
Lord Ahriman and Chaq Mol again in their leather armament. “King
Antichrist” is the first blasphemic opus, but what a fucking bad sound! As
good as no guitars, no voice, just drums, drums, drums. That fact changes
foremost after three or four songs, and some people told me that Matte Modin
had some timing-problems during the blasts. Well, if the the sound on stage
was this bad like in front of the stage, then nobody can make him some
reprovals. But back to the show: Dark Funeral are as impressive as the last
time with Naglfar and Endstille, just a fucking Black Metal commando, a
band, which is one of the creators of the Swedish hyperblast style.
Corpsepaint, spikes, leather, this is not a show or an image, this is real,
it’s a part of every Dark Funeral-member. “Secrets Of The Black Arts”,
“My Dark Desires”, the terrific “Hail Murder” (with an enormous
choir!), my personal favourite “Vobiscum Satanas” (if I remind it
right), and of course a lot of numbers from the actual album “Attera Totus
Sanctus”. The sound gets better, and it’s just a celebration to bang to
these infernal hymns and to forget everything else. After the gig, I heard
that a friend of mine had to puke right next to me, and I didn’t even
remark it… perfect the change between killing blasts and the icecold
leadguitars, and when Lord Ahriman stands in front of you, bangs and raises
his guitar to the audience, it’s just very stately. Of course Dark Funeral
have to come back after the regular set, and “An Apprentice Of Satan”
closes the concert. The ineffable kings of darkness showed why they got this
title, but with better sound, it could have been even better… and at this
point, a fuck off to all this stupid kiddies in the first rows who think
Black Metal means to take as much Kajal as possible, the most evil shirts
and to act like a fucking poser. You’ll never understand the essence of
Black Metal, the essence of bands such as Dark Funeral!! |
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