Dalia-
We are here together with Gary Meskil of Pro-Pain, metalcore
legend, and we are very happy and proud to ask him some questions. It’s
the time of “Shreds of
Dignity” Tour. You are at the moment at the half of your tour in Europe
....
Gary
Meskil - Yeah about half we have done, and the
tour is going great. We started in the Netherlands for six shows and we
went down in Belgium and we also played some great gigs in France and
Spain. And now we reaching
the end of the Swiss gigs and we had a nice run here in Switzerland, which
is usually the case: we always had some nice shows here and we are looking
forewaed to the show tonight here at Sursee.
Dalia
– Do you have the impression that Swiss audience is very interested in
your music ? Cause I see that
in Switzerland the metal scene , and "related music" scene,
are growing very much.
Gary Meskil -
I think so too, I think we keep up building a
sort of interest here for the past years. You know , at the beginning, our
first gig in Switzerland had been in 1994 and we had some really big shows
then, but that’s when the
hardcore thing was a bit more trendy so, it was
a little bit covered
to indoor the years afterwards,.
We are still here and it’s always a building process, don’t matter
where we go. And you know Switzerland is no exception to the rule , each
year that we play there it’s a little bit more. You know we have really
a die hard fan base here which is great.
Dalia
- And for your band and you, is it important to have contact with
the fan base in clubs and everywhere?
Gary Meskil -Yes
I think it’s important to be in touch with the fans. We have always been
accessible .we are hanging out with the fans before and after the show.
And I think that’s pretty important, it’s an important part for
establishing a long last fan base. When your fans don’t put any sort of
problems can see you as a friend coming in town. That happens to
play music that they can enjoy. For us I think
it’s an important part being an underground band.
Stefan-
Do you think that the base in America
is different from the base in Europe? You made a lot of gigs in
America, you made a lot of gigs in Europe. Did you notice any difference?
Gary Meskil
- The fan base changes his head a little bit
quicker in the States. I don’t know whether it’s because
the music scene might be quite
a little bit more trendy or the fact that the attention’s
ban is a little shorter
as far as the American public it’s concerned. Even on
television there is not a
lot of shows that are going longer than an half a hour in a leg. I think
it has to do with American attention’s ban.
Dalia
- Frankly,
what’s your opinion about your new album “Shreds of Dignity”?.
Gary Meskil -
It speaks very well for the band in this
particular point of time I wanted to
make a record that was a little bit different as far as would. Now
heavy bands are doing this these days and there are a lot of slow and
midpaste groups that are played out by the nu-metal bands right now. So I
think that that void is completely fault. So I want to come on with some
music that not a lot of bands will doing these days. Kind of a little bit
of returning to the trash days and bring back. that cause there was some excellent music coming out in that
period of time. It was time to pick up the pace and play some fast trash
once again. When the others slow down we wanna be the ones who speed up
and when others speed up we wanna slow down. (laughing)
Stefan
- Some bad voices are telling. “hear one record of Pro-Pain and you
know all of them”. What do you think about that? What do you think abou
that kind of journalism?
Gary Meskil -
I think that those kind of statements come from people
who just aren’t fans of the bands. They tend to generalize just because
they are not interested in it. The same thing could be said of
Slayer and of Motörhead . I think that’s good company right
there, if I have to be associated.
Stefan
- I’m opened for any kind of metal from medieval to trash , black,
death and when we write a review we consider objectively the content of an
album and we have no prejudice for the style of it. But often on the zines
you can read a lot of crap. Do
you think that those journalists are just paid for filling up the lines?
Gary Meskil
- Well Pro-Pain has a certain sound, you know.
And you can hear a lot of
that sound in our first album, you can hear a lot of that particular sound
running through the
main ordery in all of our records. And I think we have parameters that we
have set for ourselves . We certainly could be more instrumental but
that’s not all about, that’s not what Pro-Pain project. I think
Pro-Pain has a purpose in this music scene, and I think for that, one
particular purpose we have we
wanna do it very well. The
more we go outside of these parameters we entering a zone , and a place
where other bands do it better. You know, we know our place in this
music scene and we experiment within those parameters.
Dalia
- You are very engaged in many social things, so what does it mean
“Shreds of Dignity” in itself for you? Why that title of the record.
Gary Meskil
- I like think that it could be interpreted at
least in 2 different ways and
the more you look into it, the more you will find the real meaning behind
that is. It’s kind to have to do with somewhat I love and Shreds of
Dignity has to do with a lot but it’s not political.
For me it has to do with the pride in this band entirely self made
and it’s been a long hard road for us. And this our latest offering.
It’s been over ten years with us now and we managed ourselves the whole
time, we sacrificed a lot to
maintain this band’s dignity and our business. And most of the money
that was to be generated by the band, was made by the band’s member and
not by any outside interest. And I think we sacrificed a lot of popularity
because of that. I think "Shreds of Dignity" was a perfect title
for the band at this stage in our career. You know, having ten years
behind us now…
Stefan - You believe in what you do, and keep on doing what you
do…
Gary Meskil
- Exactly!
Stefan
- I have read on the web an
interview done by a certain
Chris….with you in the far 2000, concerning your troubles with the
producer Mayhem, but I couldn’t find any other info how the story
developed. Did you work that story out, cause it’s quite bad to read
something like that…
Gary Meskil
- We had a problem where we signed a licensing
deal and we didn’t take an advance, it was a good profit sharing deal
and after all the expenses where we took, we would have made 80% and
Mayhem was made 20%. It was a good deal but “you” don’t
take any money upfront, you risk. Somebody can walk away with your
money and that was the case, and exactly that
was what happened, they closed their doors on us, they owed us a
lot of money. We ended up taking in the Court, going a legal way and we
won. We didn’t got the all huge at one time, we got
a payment plan, but it
can take the eternity, this way we didn’t
win entirely.
Stefan
- I’ve read that the
payment plan was interrupted and that you gonna fight that guy another
time by law.
Gary Meskil
- This is true. There was another legal round
after that and we had a “freeze his back account” and we made it so
that any money is coming in as results of any his businesses will go to us
first. And it was pretty cool cause there are another lot of people after
this guy legaling , but we decided to go after this guy all the way.
Stefan
- That’s great!
Gary Meskil - Yeah… That’s great (laughing)
You
know unfortunately the music business is shark infested water (laughing) .
It’s an easy place for people with money to manage a band with no money
. The band generate a certain amount of money, the labels a lot of times
won’t pay back and the band don’t have the money to take things up
legal….strange business…
Stefan - But we enjoy cause we love metal!! (laughing)
Gary Meskil - Absolutely (laughing)
Dalia - Artists give a joy to their audience and themselves , so it
is worth to run such risks…
Gary Meskil
- Yeah..yeah..that’s true, and the whole music
scene would be better if the labels were really really
behind bands and their
career, instead of not caring about how many bands they turn over. Their
just looking to make out a little bit of profit of the bands. They will do
another record of a band but at least that doesn’t speak very well for
the bands, their career and their families and everything else.
Dalia
- Now the last question, a more technical one. How much important are
drums and bass, about these instruments and people who ply them is not
that much talked…
Gary Meskil - Well , for a professional band
the drummer is very important and he has to have a good meter. So
it’s very important to us that the drummer is playing with a good meter,
not matter how many fills he’s playing. The first sign of a professional
band is to play with a good meter and you can move your head like this (headbanging)
. Number one for us is a good drummer. You know the bass and the rhythm
guitars log in to the kickin’ snare . In the new career of Pro-Pain lays
somewhat of a power metal band.
Dalia
and Stefan - Thank you very much!
Gary Meskil -Thank you!
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