Bloodshed
is an album that has much to offer. It offers 12 tracks , 8 of which are
completely new and 4 very rare, published in 1993 in the form of the MCD
"Unmerciful Order". Then it offers something very interesting:
a balanced and even new image of the band: the name
Krisiun shouldn't mean hyperspeed only. The godfathers of
Brazilian fast brutality can manifest their malignant but
constructive unmercifulness also using slower paces and rhythms,
spiced up by very good Melodic Death metal tendencies and modern
sounds of psycho-ghostly fear (like in Outro/MMIV).
Krisiun incorporate brilliant hooklines and obsessive
passages as well. Bloodshed is solid but not monolithic, able to arise
jets of fire, crawling solos, but also a pounding massacre of
bone-breaker heaviness. Many times you can get the impression that, in
Bloodshed, Malevolent Creation meet Kataklysm and Morbid Angel but in a
groovier , more downtuned , asphyxiating way.
Bloodshed
offers a policy of fan-friendly reduced price, for 40 minutes of
pressing machine that leave you however surprisingly fit and active
instead than depressed. The double bass drums grasp deeply
in the range of bass sounds, grip the ground: in this way the
square snare-hits make a remarkable contrast. Vocals are mighty
and hate-filled. Guitars and bass are tight and agile, able to let
spring a paradox anyway: in the point you seem to hear too much
monochromatic moments (like in Ominous)
they evoke anyway an impression of variety and sparkling implacable
waterfall of sounds underlining the changes of patterns so that at
the end you attend a reiterated pure hammering enthralling
banging loop (and indeed so is Ominous)
. While even more varied tracks like the formidable opener Slain
Fate, which results immediately addictive, (but Ominous
becomes addictive too) are dressed with a pulsing coherence. Slain
Fate, marked also by lead -guitars recurrent spasms and
overdriven fugue, or Ominous
or Servant of Emptiness are a
thunderous but gloomy waves of hammering landslips. But who likes
cold abyssal ghostly effects and distortion can admire Eons
(the title is perfectly matching the sound) for almost 2 minutes of
sidereal unreality as a break between the Death rides. The brutal and
fierce Hateful Nature is very
punishing nevertheless ennobled by lead solos and stop start cadenced
bursts of hooklines. Vision beyond
has a procedere that is similar to Kataklysm's Blood on
the Swans but showcases a real profusion of lead -guitar ability. A
certain acoustic-distorted appeal can be found in the instrumental
Vodoo , where also the drumming gets
tribal characteristics . With They call me
Death the CD catapults us
back in time, with a relentless Death in US style and infernal
brutal-barking-brachial vocals, and the cult begins. All is closed
by Outro/MMIV (already mentioned)
and its atmosphere of sidereal horror.
I
would say that Krisiun 's Bloodshed can be appreciated by all Death
Metal fans without any exception, from the Old-School party to the
Melodic one . Bloodshed is a bridge between present and past with an eye
to the future, and is a bridge between two worlds well cemented in that
American culture (America is not only US) that gets influences from USA
indeed but maintains strong connections with Europe. Among the new
tracks many are killers, addictive, others are more atmospheric
and instrumental, but all are intense and played with absolute
competence. that competence and self-confidence that a veteran
band has. It's one of those albums that really will grow on you.
So make your wallet happy and let's bang your head! Krisiun are really mighty.
I can't deny my fate
when the victory comes
I'll be the king, Lord of all evil
I knew the prophecy, I knew the pain
rating: 9/10
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