Burton
C. Bell - Vocals Dino Cazares - Guitars Matt DeVries - Bass
Produced by Rhys Fulber
June 5th 2012 Candlelight Records
01. The
Industrialist
02. Recharger
03. New Messiah
04. God Eater
05. Depraved Mind Murder
06. Virus of Faith
07. Difference Engine
08. Dissemble
09. Religion is Flawed Because Man is Flawed
10. Human Augmentation
I’ve
been a Fear Factory fan since Demanufacture came out in 1995 and I
distinctly remember not liking them because the music didn’t contain
guitar solos. What did I know, I was 14!? But I stuck with them. The one
thing that stuck out for me on that album, was the drumming. This was
the first time I had heard that kick drum sound, coupled with that
brutally-iconic-guitar sound that defined Fear Factory as a giant in the
world of metal. The syncopation of that record and other subsequent
records became the “Fear Factory sound,” that so many other bands
went on to copy for the last 17 years. Demanufacture wasn’t just known
for the unique syncopated guitar and kick drums but it was also known
for Burton C Bell’s singing, it was also the first of its kind to go
from a death-metal growl to hyper-melodic within a seconds notice (true,
he did do that in, “Soul of a New Machine,” but that album wasn’t
nearly as popular or ground breaking) and also became copied by hundreds
of wannabe metal bands hoping to cash in on Fear Factory’s sound. Fear
Factory is also known to have made records revolving around the same
theme of man vs. machine. Although, Archetype and Transgression were not
of this theme, it also didn’t have Dino playing guitar. When Burton C.
Bell and Dino Cazares reunited, they went back to their original
formula.
"Drum
software and drum programming has moved so far, beyond just a simple
drum machine. It really made the process of writing easier, a lot more
efficient, expedited the writing process so quickly. We were able to
write with a drum program and not have to kill our drummer. And once it
was done, we were like, 'Oh, man! We should have done this a long time
ago!'
"On the past records, we've always had a drummer to record, but
when does a drummer stop being a drummer? Because everything that person
records goes into Pro Tools and it's fixed perfectly and the
sound that was recorded isn't even used. All the sound is sampled. It
basically becomes the program. So we basically eliminated the drummer.
And we thought, if we're gonna do that anyway, let's just use a drum
program. So we did it."
Fear
Factory, for the longest time, had been a four-piece. I will not go into
the history of the band, but up until this record, in all of Fear
Factory’s incarnations, Fear Factory was a four-piece band with a
separate drummer and bass player (okay, if we’re going to be
nit-picky, Dino did play bass on Demanufacture despite the linear
notes.) but on the Industrialist, it’s just Dino and Burton. This didn’t
sit well with me, I can understand the bass player part, but the
drummer? It really rubs me the wrong way, Burton C. Bell is quoted in
Australia’s “Loudmag” website, (http://www.loudmag.com.au/content/fear-factory-fully-mechanised
)
After
reading this, I thought, “Man is obsolete, erased, extinct! Man is
obsolete!” (Taken from the Fear Factory song and album, “Obsolete”)
Irony anyone? I realize The Industrialist is another concept album, but
from the point of view of the machines, saying that man is flawed
amongst other things, but I just can’t help but to wonder why. In this
writer’s opinion, it boiled down to money. Why pay a drummer to record
a record then pay him/her the possible royalties when we can have a
program that can simulate a drummer? That way, they just pay for a
touring drummer proceeds from each show. “We were able to write with a
drum program and not have to kill our drummer.” Really? Kill our
drummer? If I were a drummer, I would be offended by that. I just think
this whole thing is hypocritical to what they sing about. Granted, it’s
all fiction, but the concepts of workers being threatened by automation
has been going on for over a hundred years.
Yes,
this is an album review, so here it is. The Industrialist is better than
Mechanize. It’s not nearly as abrasive as that record and does have
better sounding tracks that could be comparable to a lot of Fear Factory’s
earlier work. Will it bring them new fans? I doubt it. I would like to
know what the average age of Fear Factory fans are though, to see how
Fear Factory could be marketed. “New Messiah,” “God Eater,” and
“Depraved Mind Murder” are darker songs that one could see on the
Obsolete album, that’s how good they are. “Difference Engine”
sounds like a darker version of “Flashpoint.” “Disassemble”
paints a lot of colours within the song giving it a lot of depth. It’s
dark, it’s heavy, and it contains the signature Fear Factory sound
described above.
There
you have it, I’m fucking torn. “The Industrialist” is a good
album. About the only complaints I have are what I ranted about above. I
will say that the concept of “man vs. machine” is getting old.
Burton C Bell wrote more about religion than normal on this album.
Listening to music that goes against religion is just like watching Mahmoud
Ahmadinejad go on and on how Israel doesn’t have the right to exist
and that America is Satan. It gets old. One of the song titles is, “Religion
is Flawed Because Man is Flawed” I would love to write something about
that, but this is an album review, not a debate paper!
Should
you or should you not get this cd? If you do not mind listening to a
slightly different version of Fear Factory’s normal concept album and
also don’t care about listening to religious stuff, then yes, go buy
it. It is better than “Mechanize” much better in fact. The songs
sound great. If the band were to ask me for advice, I would say, cut out
the religion, insert the real issues the world is facing right now,
poverty, strife, corruption, war criminals, etc and for God sakes, two
album covers with “black” does not work. One of the other reasons I
would like to bring up as to why Demanufacture and Obsolete worked is
that the colors displayed with the album I believe added to the overall
imagery of the record. Having two albums now with a black background
with the “double f” logo is boring and adds nothing. Technically,
three albums counting Transgression and we all know what happened with
that album. And, get rid of the drum program!