03.07.2005 | |||||||
|
|||||||
|
Born Final product My acid Words Bittersweat Feast Sentient 6 Medicated Nation The Holocaust of Thought Sell my Heart for Stones The Psalm of Lydia A Future Uncertain This godless Endeavor
57:18 |
|
Warrel Dane - Vocals Steve Smyth -
lead , rhythm and acoustic guitars
|
||||
|
|||||||
NEVERMORE: "This Godless
Endeavor"
nevermore
European release date: July 25th, 2005 - guitarist Steve Smyth (ex-Testament/Dragonlord) marks his NEVERMORE recording debut - album recorded at England's Backstage Studios with Andy Sneap previews by Matthew Haumschild and Artur Felicijan
|
|||||||
|
|||||||
preview by Matthew "Newbreed99" Haumschild___ |
|||||||
Holy shit, this band should record in England from now on! This band hadn’t sounded so good. To be honest, I haven’t heard Nevermore sound this good since Dead Heart In a Dead World. The guitars, the drums, the bass and the vocals were just right on the money with this album. This is quality, this is metal this is fucking NEVEMORE!! I will go on a limb with this CD and with this band, this is the best band in North America today. Better than Dillinger, better than label mates’ Shadows Fall, hell they are better than Megadeth of whom they’ll be on tour with in a few months on Gigantour. Loomis’s guitar playing is worth worshipping, on every track there’s a solo whether it’d be him or Steve Smyth doing the actual soloing is a mystery to me none the less it’s some pretty damn good guitar work. It’s so good, that if I didn’t know any better, I’d say they were from Sweden. On every Nevermore CD the band opens up with some balls to the wall (no not the song by Accept) guitar and double bass work, this CD is no exception. Born sets the tone for this whole CD, it’s fast and it has such a negative tone to the song and to the rest of the album. Born certainly grabbed my attention, get guitar work and the drumming, wow. Dane has some fabulous melodic vocals in this song by the way that is well worth noticing. Final Product is the best song Nevermore has ever made. The lyrics were sung in such a way that Dane was trying to reach out to his listeners and grab them by the both shoulders and shake the listener into what he is saying. I would re-type the lyrics, but you would have to listen to them to know what I am saying. Dane is singing about dying for religion or governments, all for what? Making this final product that people love and adore? So the media could exploit it? Dane is preaching on a soapbox singing to the masses. This is not typical of music of today, he is taking a stand and he is singing about it, it’s rare in modern music where this is happening and some would say that there hasn’t been a single great band since…the 1960’s or 70’s. Although some would argue that Nirvana and Metallica are influential along with Alice In Chains or Pantera but none of those bands took a solid stand like what Black Sabbath had with “War Pigs” or “Hey Joe’ by Hendrix or just name off songs from that era. Nevermore is taking that stance with Final Product. Don’t get me wrong, this isn’t the first time he’s sung about topics like this, in Dead Heart in a Dead World the song “Inside four Walls” he sung about how inefficient the US justice/prison system was, just as an example. The Psalm of Lydia to put simply is just a very rocking song! Fast as hell double kick drumming, sing-along lyrics and the guitar solo could put any guitar virtuoso to shame. This track has some interesting atmosphere changes through out the song, it starts out this nice 90’s thrash riff and 20 seconds into the track in turns into this atmospheric doom sound that’s just bad ass! In the pre-chorus, the guitar work is very complex it leaves the listener swaying back and forth as it puts you under its spell. My acid Words has a slow filler like beginning that almost makes me turn to the next track but then the drums and the guitar kick up the beat about a million notches. Eventually the song slows down as I can imagine in my mind Dane getting back on his soap box preaching to the masses, the drumming is just so amazing in this song an again, another spectacular solo. rating: 9.5/10 |
|||||||
Matthew
Haumschild |
|||||||
preview by Artur Felicijan____ |
|||||||
It's
not a great deal of prophecy if you estimate every future album of this
band to be a quality piece of work. Nevermore are
undisputed masters of
music and technique that no band can even imitate, pushing the very
boundaries of metal music from their day one. Every single release is an
enjoyment for every extreme listener, an honest and true expression of
this fine ensemble. Their 2001 album "Dead Heart in a dead
World" was highly successful with it's melodic (at times
commercial) base and their "Enemies of the Reality" had a bit
heavier touch, but unfortunately a weakness in it's sound (at the
beginning considered as "state of art production"), which was
just being rereleased with a new remix and remastering. In
my opinion, none of their release was so profound and as challenging as
their 1999 "Dreaming Neon Black". Until now.
In
a higher state of exhilaration I dare to say that "This Godless
Endeavor" is the best Nevermore album to date. A sort of
retrospective combining the elements from every release - the
originality of their debut, and heaviness and psychedelia of
"Politics of Ecstasy". On the new album, there are quite a few
intended patterns reminiscent of "Politics of Ecstasy", easily
discoverable for every Nevermore fan. "This Godless Endeavor"
has a strong feeling of grief and sorrow, which became a Nevermore
trademark since "Dreaming Neon Black", melodic (but not
cheesy) style and accessibility of "Dead Heart in a dead
World", and modern maturity of "Enemies of Reality". This
is not just a compendium of their past work, but a great showcase of
their empire of quality that is being built with each release on the
foundations of their own creativity. This
album is flawless, with it's great progressive-meets-deathmetal musical
base and the vocal mastery that enthrone Mr. Dane to the very top of
world's greatest front-men. The production work is handled by Andy Sneap,
so you can imagine the result (for all of you who don't know his
work - it's phenomenal!). What I also find as a positive mark is the
including of a new guitarist, Steve Smyth who handled the guitar work in
Testament. The best Nevermore albums always had two guitarists (ex-Forbidden's
Tim Calvert on DNB and Cannibal Corpse fame Pat O'Brien), so maybe a
small diversity in guitar handling is the right way to go. As
for the final conclusion, I just have to write that this is an album no
metal fan should hesitate buying. This album is
proving the possibility of extreme metal considered intelligent for
every music lover.
rating: 10/10 |
|||||||
Artur
Felicijan |
|||||||
zum
Seitenanfang
top - inizio pagina
|
|||||||
presentation|news|reviews|interviews|live reports|specials|f**king bollox|tours|dates suggestions|upcoming releases|underground|artwork|videoclips|MP3's|venues |
|||||||
© GryphonMetal.ch 2001-2005Niederrohrdorf - Switzerland contacts |